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My fourth SLR digital camera is an EOS 40D. Previously a Canon EOS 30D and before that an EOS 10D. What makes you think that I am happy in the Canon 'stable'?

I have got used to coping with the 1.6 multiplication factor of focal length to convert existing lenses to the smaller digital chip size.  However, one gains at longer focal lengths when a 400mm lens (in 35mm terms) becomes a whopping 640mm in the digital domain.

 

I have been successful in having two prints and one digital image accepted for the Welsh Photographic Salon this year (2008) Here they are. The first is in the projected image category.

Street Games Llyn Llydaw Cold Cairn

 

Back to the wind. Taken in the Brecons one very cold January.

Below are links to my main photographic pages. It keeps on growing! Categories start off as broadly geographical: countries and then subdivisions.

I am also a member of the Vale Photographic Club which meets most Fridays at Ystradowen Village Hall, just a couple of miles from Aberthin. We now have an excellent (I think!) web site here: Vale Photographic Club

Wales, in particular, has many branches! But then, I have lived there for twenty five years...
I am available for photographic commission work. 

Please contact me by e-mail (top of the page) for further details.

 

As usual, Click on any thumbnail picture to get a larger image; use the 'Back' button on your browser to return. Some categories are further subdivided.

Open up the album via the buttons below:

Cyprus Turkey Panoramic Pics Wales Club Stuff England France Italy Syria Barcelona A day in the life of Canada 2003 Canada 2007 Chile North America Scotland Ireland Bucharest Germany Poland China

Thank you for your web site I have really enjoyed looking at the  wonderful photos today .
I will come back another time to finish it, it is lovely .
Mo Leigh
My name is Francesco, a 25 y.o. italian guy. I was surfing on net and i found ur web site out: ur pics are amazing, i really like them, especially the panoramic ones. Francesco
You are simply amazing. Your pictures are amazing. I'm in awe by your work. The things you see mike, no one else can see lol I promise you that friend. Simply phenomenal. You are that, by its very meaning and by its very definition. Keep doing what you do. You're an inspiration to us all.
Imran Anwar
I think your photography is stunning. With your permission, I would like to include your site's url in my sites' resource portal. My favourite picture is the Brecon Beacon one (thumbnail attached) and I would like to use this for the image hotlink. Richard Prangnell

 

I recently saw this description of the different kind of photographs that we, who enthuse for taking pictures, are probably subliminally aware.

The author is Michael Reichmann and examples of his work can be seen at here 

Please come back afterwards!

 

Snapshots:

These are the photographs that we all take when we have a camera with us and see something that catches our fancy. For the most part they are either an aide memoir or a means for us to share with others who weren't there what we saw at a given time and place.

When on a serious shoot these are hardly worth stopping for. But, if the time permits one can stop the car, take a shot and move on. They are rarely worth setting up a tripod for though.

Postcards:

A postcard in my vernacular is a photograph worth taking, but one which one knows from the outset will never rise above being just another pretty picture. The reason for taking it is because either the subject or the light is so appealing that the photographer within simply has to capture the scene. It's likely worth setting up the tripod, and maybe, just maybe, if a way can be found to make it work it might rise above being just a postcard, but not likely. There's an aesthetic appreciation but no emotional context.

Images:

No description is necessary. When you first see it your heart races, and you know that there is something there worth capturing. You fumble with your tripod, hoping that you can set it up in time, before the light changes or something prevents you from capturing the moment. Even after the shot has been made, you fret that you've gotten the right exposure or that some technical gremlin won't get in the way of an eventual perfect print.

These are the ones worth travelling hundreds or even thousands of miles for. These are the ones that lying in your sleeping bag or motel bed that night you visualize as a final image. This is what you live for.