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An article written for the
Society of Television Lighting
Directors quarterly Journal following the third phase of a 60 day working visit to TRT
Turkey in the first quarter of 2001
Roast
Turkey
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Boats in the harbour at Izmir |
Page 1of 7
All pictures are 'clickable' to enlarge
| Tuesday
April 17th
Izmir is
Turkeys third largest city with a population of two million, but with the
benefit of a Mediterranean ‘ambience’. It’s setting is dramatic; a
huge bay backed by mountains to the east and south. |

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My view on arrival... |
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has had a long and eventful history, but most of its historic past has
been swept away by fire, wars and earthquakes. My hotel was right on the
sea front, overlooking a fairly workmanlike harbour with naval boats, fire
tenders and ferries, making an interesting change from the bleakness of
wintry Anatolia. |

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...and the following morning. |
| Ebru
met me and I was taken to the managerial building, some distance away from
the TV studio, where I met Izmir’s Head of Television. Introductions and
pleasantries over, we took a short in distance but somewhat circuitous
journey around Izmir’s one-way system to the studio building nearby,
which is situated in a huge park. |
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Spacious and lush gardens surround TRT's Izmir studio. |
| It really was a rather nice setting for
a TV studio, fountains, green grass in abundance and trees. Green
is not an Ankara colour in winter, but certainly was here. |
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Definitely a Mediterranean touch. |
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inside dimensions of the studio are about 25 metres by 15. There was a
comprehensive barrel system, a bit widely spaced, but quite serviceable,
although it was sporting some rather ancient lamps: theatrical type non pole
operated 2K’s, scoops, and soft lights without egg crates.
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| The cameras were
Hitachi SK110A tube cameras, which had been ubiquitous at TRT and are now
gradually being replaced. Everyone was extremely welcoming and keen to make me
feel at home.
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My alarm clock |
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Wednesday April 18th
Cloudy
and rainy. Well, at least that made me feel at home. I had wondered whether I
would wake up on time, but a large alarm clock in the shape of a fireboat moored
just 20 metres from my bedroom window must have woken half the city when it
blasted its hooter at 7 a.m.
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Head of Design and one of her colleagues |
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was taken in to the Design office, which had a rather nice view over the
extensive park. The Design staff comprised three girls and one guy. I was
shown a scale model and plans for new set. I could feel all eyes on me as
I was asked for my opinions. The plans were all done properly, with
lighting barrels shown dotted! Now that’s a first. Excellent. I sat down
in a corner and did a workable (I hoped) plot in pencil. |
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View from the Design Office. Beats a view of the Circle
Line! |
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