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An article written for the Society of Television Lighting Directors quarterly Journal following the third phase of a 60 day working visit to TRT Turkey in the first quarter of 2001

Roast Turkey

Boats in the harbour at Izmir

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  All pictures are 'clickable' to enlarge

Tuesday April 17th

Izmir is Turkeys third largest city with a population of two million, but with the benefit of a Mediterranean ‘ambience’. It’s setting is dramatic; a huge bay backed by mountains to the east and south.

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My view on arrival...
It has had a long and eventful history, but most of its historic past has been swept away by fire, wars and earthquakes. My hotel was right on the sea front, overlooking a fairly workmanlike harbour with naval boats, fire tenders and ferries, making an interesting change from the bleakness of wintry Anatolia.

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...and the following morning.
Ebru met me and I was taken to the managerial building, some distance away from the TV studio, where I met Izmir’s Head of Television. Introductions and pleasantries over, we took a short in distance but somewhat circuitous journey around Izmir’s one-way system to the studio building nearby, which is situated in a huge park.  gardens-2.jpg (40996 bytes) Spacious and lush gardens surround TRT's Izmir studio.
It really was a rather nice setting for a TV studio, fountains, green grass in abundance and trees. Green is not an Ankara colour in winter, but certainly was here. trt-door.jpg (56115 bytes) Definitely a Mediterranean touch.
The inside dimensions of the studio are about 25 metres by 15. There was a comprehensive barrel system, a bit widely spaced, but quite serviceable, although it was sporting some rather ancient lamps: theatrical type non pole operated 2K’s, scoops, and soft lights without egg crates. studio-mon.jpg (33861 bytes)
The cameras were Hitachi SK110A tube cameras, which had been ubiquitous at TRT and are now gradually being replaced. Everyone was extremely welcoming and keen to make me feel at home.  

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My alarm clock

Wednesday April 18th

Cloudy and rainy. Well, at least that made me feel at home. I had wondered whether I would wake up on time, but a large alarm clock in the shape of a fireboat moored just 20 metres from my bedroom window must have woken half the city when it blasted its hooter at 7 a.m.  

 

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Head of Design and one of her colleagues
I was taken in to the Design office, which had a rather nice view over the extensive park. The Design staff comprised three girls and one guy. I was shown a scale model and plans for new set. I could feel all eyes on me as I was asked for my opinions. The plans were all done properly, with lighting barrels shown dotted! Now that’s a first. Excellent. I sat down in a corner and did a workable (I hoped) plot in pencil. view.jpg (53647 bytes) View from the Design Office. Beats a view of the Circle Line!

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